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Channel: Semiotext(e) – The Paris Review
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Against Argument

Teju Cole, Zürich, 2014, from the exhibition “Teju Cole: Blind Spot and Black Paper,” on view at Steven Kasher Gallery from June 15–August 11. Courtesy of Steven Kasher Gallery, New York.   1 When I...

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I’m the Marmalade: An Interview with Wayne Koestenbaum

  In the fall of last year, I found myself in Tenth Avenue’s 192 Books, chatting with a stranger. The man (whose enviable green coat had temporarily distracted me from his visage) was thumbing through...

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The Last of French Seventies Counterculture

A French cult classic from 1972 is being published in English for the first time. Jean-Jacque Schuhl Jean-Jacques Schuhl answered the door in slippers, no socks. He offered me, in knowing jest, bio...

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Kevin Killian’s Memoirs of Sexed-Up, Boozy Long Island

Kevin Killian. Photo: Peter E. Hanff. Every time I feel fascination I just can’t stand still. —David Bowie, “Fascination” Born on Christmas Eve, 1952, in a hamlet on Long Island, Kevin Killian began...

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Staff Picks: Passion, Portals, and Premature Presents

T. S. Eliot’s “The Cultivation of Christmas Trees” I’ve spent a lot of time guddling around the Daily archive of late. There are many joys attendant to this, not least the expansion of that tragic...

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The Pleasure of a Petty Thief: Letters, 1982–83

Hans Georg Berger, Hervé Guibert and Eugène Savitzkaya, New Year’s Eve, Rio nell’Elba, 1984. Courtesy of Semiotext(e). In 1977, the writers Hervé Guibert and Eugène Savitzkaya began exchanging letters....

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